Versatility and modularity distinguishes The Shrine from other nightlife offerings in the Chicago market. Key elements of the venue, from the floor plan to the sound system, have been optimally designed to accommodate an array of events, from a dance troupe performance to a private corporate event to a runway fashion show, with efficiency and style. For Rental information, contact deanna@theshrinechicago.com Or call 312-753-5700.
The Shrine live room has a multiple use sound system, for live and dance.
The stage is to one side of the room and is elevated approx. 5’ facing into the room. Opposite the stage is an elevated sound booth where live mix FOH and DJ mixers are located. The dance floor/viewing area is located between the two.
The JBL VRX line arrays are hung 3 deep each side of the stage, with 2 JBL 18” subs (4 total) built into the walls of the proscenium flanking the stage. This is the FRONT SYSTEM.
At the rear of the room, JBL VRX line arrays are 2 deep hung each side of the mix booth pointing towards the stage. Underneath the mix booth facing the stage are 4 more JBL 18” subs. This is the REAR SYSTEM.
Both the Yamaha LS9 FOH mixer and the Pioneer DJ mixer simultaneously feed a BSS London processor which feeds the FRONT and REAR systems as well as other parts of the venue.
Audio from the LS9 mixer runs through it’s own set of processing in the London and is tuned and crossed over for a live input from the stage. Signal is also directed to the REAR SYSTEM at minus 12db and delayed to the Coup D’état room. The LS9 mixer can feed the stage monitors the mix from the DJ mixer as well as 4 individual monitor mixes from any of the LS9 mixer inputs. A DJ can spin while live performers on stage can sing to the track. There are 24 inputs available from the stage to the LS9 mixer plus two wireless mics.
Signal form the DJ mixer is routed through a different set of processing in the London and is tuned and crossed over for a dance input from the DJ mixer. Output of the DJ mixer is focused at the center of the dance floor.
Mics and stands are as per spec sheet. Performances can be recorded via the CD recorder.
1 Yamaha LS9-32 digital console
8 JBL VPSB7118DP Powered 18" sub woofer
10 VRX932LAP
1 bss LONDON digital signal processor
1 Tascam CD Player/Recorder
6 SRX 712M 12" 2 way stage monitor wedge
2 6 channel sub snake
1 12 channel sub snake
30 30' mic cables
15 10' mic cables
8 tall round base stands
4 medium round base stands
4 medium tripod stands
6 claws
8 booms
2 heavy round base stand
2 SM87A
8 SM58LC
8 SM57LC
1 SHURE PGDMK4 DRUM MIC KIT
6 SENNHESIER 604 DRUM MIC
2 SM81
1 SM91
4 SENN E609
6 DIRECTOR DI BOX
1 2 CHANNEL UHF R W/ BETA 87
1 PIONEER DJM 800 MIXER
2 PIONEER CDJ1000MK3 PRO CD PLAYER
2 Technics 1200 turntables
LED stage wash consisting of: 6) irradient LED vivid wash II - 16.7 M colors true 24-bit linear color changer with 32 1W LED (12 red, 12 green, 12 blue) with 25 degree lens - standard DMX compatible as 3 color RGB fixture requiring 3 DMX channels of control - operating current: max 2 amps - power consumption: 48 watts - P65 weather rated.
Stage lighting control consisting of: Elation Comput 1024 EC - PC based DMX control system.
LED marquee chase light system over dance floor consisting of: 510 white LED lamp chase lights set in a custom designed multiple arrow shaped array to provide subtle or dramatic lighting for the dance floor area - custom built controller providing dimming, constant on, or a selection of 8 pre-programmed chase sequences.
Video system control switcher consisting of: TV1 4x4 component video matrix system - 4×4 YPbPr/YUV Component Video & Stereo Matrix Routing Switcher - Max Res 1080p. Video Input/Output: 4xYPbPr/YUV via 3-RCA - Audio Input/Output: 4xStereo Audio via 2-RCA